A staircase falls through a sternum. The wallpaper peels at the smell. Wind rows down. A hand arrives at the destination Four. The room is practicing being a room. Three. The oar is practicing being an oar. Two. The water vibrates in the shape of elongated breath. A corridor of mirrors whispering catch but the clocks are already inside the catching and the corridor has been wheezing curtains through a wall that is also the inside of the word below. The table is set in a kitchen where someone has left the light on Blindness becomes clear. The light has been waiting for the breath that has been before you had knees. I sat in a chair that was made of my own breathing unwinding into soil dissolving on my tongue. The ceiling opened. The house tilts. Upfall. The spine is a building with too many doors. Every door is basement is a basement beneath the basement and there, at the bottom of the long dark, in a room with no walls, on a floor made of everything a stone turns over in a riverbed. The riverbed is someone’s pocket. The floor here is made of every water. A coin falls. Ribs open through the mirrors, and through light, my hands touch the forge. The walls remember being mountains.
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::Slow clap::
This is destabilization as architecture. It's claustrophobic, clinging, and icky.
It's beautiful.